richard66 wrote:

the lengths people will go to avoid doing the simple. It reminds me of Irving Berlin's piano: since he could not be bothered to learn the scales he had a piano constructed especially with seven pedals, one for each accidental, so that by depressing one pedal, for example, f became f sharp, allowing a D scale to be played with the same keys as the C scale.
Or P. MacCartney, who needed a sidekick to write down his requiem, because learning to read music wouldd (in his mind) have reduced his creativity. What a great composer was smothered by this hard-headedness and we were left with a half-baked songwriter.

Well, to me the lengths to which I'm prepared to go to avoid the complicated by doing the simple, is to embrace Janko/ Uniform Kbd layout, instead the traditional zebra piano Kbd layout. It's, because as a beginner I still can afford to make this choice, whereas you accomplished zebra pianists haven't got that kind of choice anymore. Please remember Rubinstein's and Liszt's evaluation of the Janko Kbd layout. My personal reason is: to acquire proficiency at the zebra Kbd takes at least 10000+ hours (or 10 years) of practice; i.e. at least six times longer than to gain the same level on the Janko!

I mean no disrespect, but if this 'system' is so great, then why has it not caught on yet? I have never heard of Janko and that other stuff you mention.

@Rainer - scales on a harp...I can't imagine a harpest practicing scales. I thought they only play angel music....

They are wrong! What about Moscow, St. Petersburg, Paris, Berlin, Rome, Milan, Madrid, London, the Juilliard, and many others. What a sad day it is for music in Holland! That reminds me of the fact that some medical schools don't use actual cadavers to teach gross anatomy anymore (they're too expensive), just models and electronics. Do you want to go to a doctor that's never actually dissected the human body? I hope not. God help those poor Dutch conservatory students waisting their precious and limited time with musical espiranto. "There ought to be a law!"

@JJJ: It's not a "zebra piano" it's a piano. Period. Save your adjectives and qualifiers for the oddity: the Janko and KS. Though some here have to play keyboards out of necessity, they all pretty much aspire to being pianists, thus the "Piano Society." Ultimately, any help that you might have gotten from this forum (where no one does or thinks like you), has been given you already. I think that rainer has gone far beyond the "second-mile." You and I (and I think the other members of PS) don't share a common langauge to engage in. Your purpose is diametrically opposed to mine, which is to discuss the making of art music by pianists and to enable greater understanding of the science of music in general and of pianism in particular. You need to find a forum for Jankoists. You in fact are NOT "learing the piano Kbd by ear" so anything that many here could have offered you about dealing with the topographical features of the piano, etc. doesn't even apply. <I'm feeling exasperated by this -- but can remember that I too have unfortunately had my turn at exasperating others. Sorry.>

I'm sooo sorry for having upset you. Please be so kind to ignore my responds; just in case another member of your Piano Society still dares to address my concerns, after this posting.
Q: Also, please advice me on how can I now cleanse (delete) all evidence of my presents in this forum. Thank you and once again, please forgive me of having met and for upsetting you.

Don't mind me. It's just my latin personality having it's way with me again!

Hmm, it's hard for me to know which poster on this thread had the biggest attack of verbal diarrhea. It takes one to know one

Well, it's not what I meant, but that is also an important point which cannot be ignored. It is difficult for the market to support different competing formats, as we know from what happened to Betamax, where commercial pressures were more powerful than technical superiority. I think it is widely acknowledged that Beta was superior to VHS but still it lost out even though it already had high market share. KS has neither high market share nor technical superiority, but survives in a niche market of people who have been fooled into thinking it will make their life easier.
Yes, I'll get to that later.
That's not really true. You might as well say it's F# major only. I'm grateful to Richard for mentioning Irving Berlin, who apparently could not read or write music and played by ear. He only ever played in F# major because that was easiest for him because it uses all the black keys, which for him were easier to find and easier to strike. If he wanted to play in a different key, he used his transposing piano so that he could continue playing in F# major while sound came out in whatever key was required.

Anyway, F# major is a particularly easy scale to play, much easier than C major, because it makes you use the appropriate fingering intuitively. In C major you have to force yourself consciously to make the thumb changes in the right sequence (not that it matters if you don't, but if you don't you get into bad habits which will catch you in other keys).
This is a job for the fingers, not the brain!
If you're talking about relative error margin (where one hand has to play several notes together, and if one finger is in exactly the right place, the other(s) might not be), then you can train your hands so that the fingers involved are the right distance apart (which will be a whole multiple of 1.37cm), but even with Janko you should really do that anyway, and aim to hit each key in the middle if possible. If you're talking about absolute error margin, for long distance leaps, then you must agree that the black keys are of immense help because the hand can feel its place before it plays.

Talk of error margin raises an interesting point, by the way, namely that on the piano's white keys the "best" landing point for the fingers to aim for is not always the middle of the key. You need only to look at the key shapes to realise why. The ideal place to aim for (from the point of view of training the fingers to use the same distance multiple everywhere) is the centre with respect to the 1.37cm all-key spacing. But of course the white-key spacing is not double the all-key spacing, it is 12/7 of it, or about 2.35cm. The white key error margins are asymmetric. This is merely a consequence of how the geometry must work out. But you will just hold this up as another disadvantage!
It's much less! The error margin is the maximum amount by which the centre of your finger can be off target (the target being the centre of the key) before there finger risks hitting any part of an adjacent key (the problem is not just hitting the wrong key instead of the right one, it is hitting the wrong key together with the right one). The error margin is half the key width minus half the finger width plus the inter-key gap. The key spacing should be 2.35cm (so if your keys are 2cm wide you must have a generous 3.5mm gap), and let's say your finger width is 1.4cm, so the error margin is 6.5mm.

Now, to get back to what you said about black key error margin. With raised keys the margin must be calculated differently. How far off-target can the finger be before it risks to fail to operate the key in question? Well, an easier question to answer is how far the finger needs to be off-target before it will definitely fail to operate the key, and the answer is half the key width plus half the finger width, so that would be 12mm. Obviously we need to deduct an allowance to ensure we do hit it, but you can see that the margin is going to be about the same as for your Janko keys, and probably even a little more!
The problem isn't so much that many of the zebra exercises are not relevant, it's the lack of Janko tutors and of teachers with Janko expertise.
Are you sure? If you're referring to the KS Institute, I don't think that qualifies as a conservatory. If they're really teaching KS at conservatory, it must be either because they are trying to show everyone how bad it is, or because they are catering to the niche organist market which happens to be concentrated there.

Actually, I agree with you, calling the beloved piano "zebra" is somewhat offensive (to a point that it even lions might mistake it for a new food source...). My Germanic personality is fairly tolerant and lacid. My wife congratulates me for having preserved that childlike (not childish) happiness, for over here in Chile most blokes (chaps) over 60 turn into "asquerosos lachos"!

In my case it really makes my life easier, for it eliminates most of the theoretic prerequisites of traditional notation; i.e. I can immediately start playing it. It's almost like a piano roll and that's what notation should be and is.

The present Kbd layout is C-maj only. Yes, agreed... thus, Janko has a multi-scale Kbd layout and the advantage is overwhelming. For some weird reason the black key piano keys made me develop a psychological aversion... Its black keys are only 1cm wide and it takes ages to get my brains programmed to that narrow error margin; Well, our fingers are controlled by our brain; not the other way around! Janko offers at least a bit more tolerance than 1cm. Watching at pianist's hand movements: their hand movements are that fast, that there just isn't time for 'feel its place before it playing the key". That means, they already trained to synchronize their brains and hearing with their their hands movements to the exact distances (of 1cm error margin) over the whole keyboard! Actually, after playing the Kbd a while it even happens to me beginner, for ...even a blind chuck finds occasionally a grain!

KS is being taught at the conservatory of music in Holland. That what I heard. Here for instance is a qualified Klavarskribo teacher: http://www.blogger.com/profile/13772642971086708157%20offering%20Klavarskribo%20lessons.