Nicole wrote:
I prefer the m.s. mano sinistra Italian term for left hand, as apparently people who were left-handed were once considered to be sinister.
Yeah - watch out for lefties!

But that's a good tip, Nicole. Thanks.
In some of my Granados books there are m.d. and 'm.i'. Maybe you can see why I can't remember all these things. Plus, there is no definition for m.i. anywhere. Finally, my teacher told me the Spanish terms of 'derecha' for right, and 'izquierda' for left. That's probably where the 'i' came from in m.i.
terez wrote:
I hate hand-crossing with a passion, so I can't even bring anything to mind that has these markings in it. I know I have seen them before, but I can't recall where. Perhaps the Chopin mazurka Monica is talking about, though that might be an editorial marking.
I mean when the LH is to take a couple notes that are written in the treble staff - usually just the LH thumb (or vice-versa). But I know what you mean about not liking playing with hands crossed. I'm getting a little better at it but it's still hard. In the last Kabalevsky piece I recorded, almost the whole last page has to be played cross-handed and boy did it drive me nuts for awhile. I had my LH crossed way over my right, and I would look at my LH to sort of direct it to do its thing, but my RH would play instead. I felt very uncoordinated!