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The first sounds rather dry and pedantic in the Glenn Gould style, but is well played. The second sounds more pleasing but suffers from inconsistent touch and strange tempo fluctuations. Neither is ideal, try for something in between. Don't make such a long rallentando at the end. It's seldom before the second half of the last bar that you need to slow down, and don't overdo it. Think of a sort of curtsy, not a protracted ritenuto.
BTW John, there is a lot of stuff of you hanging around in Audition Room. I think that everything we agreed upon is up the site by now. Can you please check, and remove any attachments that are no longer useful ? Thanks, just trying to keep things clean.
_________________ I don't know whether I like it, but it's what I meant. -- Ralph Vaughan Williams, on his 4th Symphony Chris Breemer
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