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 Post subject: Scriabin's prelude in D flat op,11 no.15
PostPosted: Tue Oct 30, 2012 6:41 pm 
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Joined: Sat Apr 14, 2012 5:53 pm
Posts: 21
Hello :)

here is my little link to the video of it.

http://www.youtube.com/watch?v=OdKH-i7LycY

As all of you might had noticed, my accompaiment was a little loud at the left hand but i have no idea why it is so because it certainly feel different when i play it live HAHA! Need some opinions of it please :D ? This is one of my favorite leisure pieces to play at home alone.

Cheers!


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 Post subject: Re: Scriabin's prelude in D flat op,11 no.15
PostPosted: Sat Nov 10, 2012 4:30 pm 
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Joined: Mon Nov 29, 2010 7:28 am
Posts: 1250
Location: Springfield, Missouri, USA
A very stayed and pensive work. It is strictly a 2-layed homophonic work: accompaniment and melody. I agree you could do more with projecting of the melody, but also understand that you felt it diffenretly. It could serve as a fine decompressing encore.

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Eddy M. del Rio, MD
"A smattering will not do. They must know all the keys, major and minor, and they must literally 'know them backwards.'" - Josef Lhevinne


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 Post subject: Re: Scriabin's prelude in D flat op,11 no.15
PostPosted: Sun Nov 11, 2012 5:11 pm 
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Joined: Sat Apr 14, 2012 5:53 pm
Posts: 21
Thank you for your compliments and encouragement, i hope put up the more improved version along with the Bach prelude and fugue that i posted previously.

Regards


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 Post subject: Re: Scriabin's prelude in D flat op,11 no.15
PostPosted: Mon Nov 12, 2012 4:41 pm 
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Joined: Mon Jun 12, 2006 11:45 am
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Location: Netherlands
It's well played, but could do with a bit more fervour. It's a very romantic piece IMO and should not be treated too literally.

@Eddy: What on earth is a "decompressing encore" ? Is that supposed to be played after a compressed recital ??

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Nothing is always absolutely so -- Sturgeon's law
Chris Breemer


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 Post subject: Re: Scriabin's prelude in D flat op,11 no.15
PostPosted: Mon Nov 19, 2012 2:06 am 
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Joined: Mon Nov 29, 2010 7:28 am
Posts: 1250
Location: Springfield, Missouri, USA
@Chris: "decompressing" encore is just my term for a modest, even simple, work that may serve great satisfaction as an encore because of how little demand it makes from the listener after some very serious listening. Some examples would be pieces like MacDowell's To a Wild Rose, Schumann's Träumerei, Debussy's Reverie, etc. These are subject to great shortcomings in the hands of students, but can be most satsifying when crafted by an artist.

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Eddy M. del Rio, MD
"A smattering will not do. They must know all the keys, major and minor, and they must literally 'know them backwards.'" - Josef Lhevinne


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