That´s a very nice interpretation, Bruce. I especially like the staccato you do sometimes at the end of some phrases. That underlines the dancing origine and is very musically and poetic from my view. The rubati are also adequate for my taste.

The only suggestion of improvement I can give you is, that you shouldn´t forget to play the third quarter in the left hand (the chords of accompaniment) at some places. At some places the third chord in the left hand isn´t any more audible, so in bar 17 and 19, here only during the repeat, bar 35, here only the first time, bar 57, the third chord of bar 66 is audible, but only one note of it, bar 70, 73,75.