Thank you so much for your comments on my playing! I really appreciate those coming from you, as I so much enjoy hearing your recordings and videos. I agree with your viewpoint. If one can convincingly communicate the composer's intent to the listener through musicianship and musicality, that is the final test of a performance or recording. In the total scheme of things, the occasional minor error is not so important. In today's world of the flawless CD, we become used to perfection, but really need to think of "the greats" in live performance you mentioned. And you're right--I can recall some fluffs in Horowitz's Moscow recital as an example, or Richter's "klinkers" in his stunning recording of "Pictures at an Exhibition", but those performances were nothing less than sensational. All of us should be inspired by their example and work toward that same aim.
I second that. That´s the right aim!
I'm working on No. 3, the "Nocturne" now.
The second half of this nocturne is very treacherous to play, so it's taking me longer than I had presumed it would. It's a lovely piece though. I won't be able to play it nearly as well as Hamelin, but I believe I can still do a creditable rendition for the members here.
Ah, very good, so I´m curious on your next recording.
Thanks for taking time to give that option for the edited recording. I listened to them both a few times to compare. To be honest, I think I still prefer the purity of sound in the original overall. I didn't much mind the page turn in the climax as it was fast, the crashing chord is still resonating, and then that very small delay just before the descending short cadenza there adds to the drama. It's almost like taking a quick breath to steel yourself for the effort demanded by that cadenza. You're certainly welcome to leave your edited version here though if you'd like, as others might want to hear it too.
No problem you prefer your own original, of course. Such matters are always only of personal taste. Could also be, that I cut off a bit too much between that chord and the descending cadenza. That´s what I thought while re-listening to my edited version today.
All the best,