Sandro Bisotti wrote:
But one must admit that also that D natural was not bad.
Hold in archive the version with D natural. 100,200 years and it will be a collection object.
I think I know how you feel, Sandro. Sometimes I think the composer was having a bad day, just during one or two bars, so mustn't have been thinking straight when he wrote those few notes. I prefer the song the way it really SHOULD have been written, if I would have been there to tell him to reconsider that little part. The very end of Chopin's Berceuse has a big chord-cadence, which I just don't think fits in to the mood of the ending. Everytime I play it, I shake my head there, and say out loud, "What were you thinking here, Freddie?"