What is HIP?
And my teacher tells me all the time that if an ornament is bugging me too much I should cheat on it, not because she has no faith in me but because she is of the opinion that you shouldn't spend too much time worrying about something small. I'm happy with my persistence, though - even that crazy double ornament in the gigue is coming along!
Also, I think I have finally broken serious ground on the toccata. That fugue is...challenging. But I have started practicing the exposition of the fugue with the subject hand staying stationary through the ornamented part:
For instance, the first ornament in the LH played with 3-4, the next with 2-3, the next with 1-2. Then in the RH, the first ornament played with 3-2, the next with 4-3, and the next (which you can't see) with 5-4. It seems convoluted probably, but if I can't play the exposition like that, then I can't play this fugue, because all of those ornament fingerings are required throughout the fugue, usually with other voices in the same hand. If I can't play the exposition like that, with no complications, then I can't hope to play the rest of it properly.
Prattling on here, because I am so LD when it comes to piano technique, and I get excited when I make some progress.
"Z Czernym poznałem się na panie brat—na dwa fortepiana często z nim u niego grywałem. Dobry człowiek, ale nic więcej..." - Fryderyk Chopin